The origin of music is
unknown to me. It may have evolved like language. The fundamental sounds or axioms reveal a strong
mathematical base, typical of man’s intuitive response to music. It would be of
great interest to the historian or (in actuality, if I should meet the
standards of precision) the musical linguist to uncover the identity of various
sounds and the implications it has to the musical genius (musician). In my
view, a romance with the sounds, purely mathematical in design, has led to
music and will continue to do so. The supportive reason that all music and its
types have the same classical base or should I say the same mathematical
foundation establishes this thought. Since romance is both sweet and
unreasonable, such a fine feeling can lead to beauty appealing to all senses.
Sounds reveal a sequence of octaves which, when heard in that manner, appeals
scientifically but neither emotionally nor sensually. However, imagining these
octaves to have a subtle underlying significance with a lovely attachment to a
child like innocence conceives the music. Such a conception is a result of the combination
of romance and mathematics or one can say the combination of imagination and
logic.
I am not in any way reducing music to
mathematics; in fact, music, I would say, is a lot friendlier and sweeter. In mathematics, the objective truth
has “reason” to be correct. In music, the subjective imagination has “feeling”
to be sweet. There can be no room for a debate in favor of true or untrue
music.
Sweet music in its fine form, while it may
be imperfect and unreasonable, reveals an appealing and imaginative chord that
strokes the innocence in man. Cacophony, on the other hand, strikes the ear
drums and ensures their destruction. Cacophony is a sneer on both mathematics
(classical sounds) and music.
Imperfection makes music wonderful while
perfection reduces it to the dismal and dull monotony of applied mathematics.
Depth makes pure mathematics insightful but shallow mathematics has appeal only
commercially. An explanation in this manner relates the brilliance of
mathematics to the melody of music.
You would find this interesting: http://www.npr.org/templates/story/story.php?storyId=4111253
ReplyDeleteManjul Bhargava is a mathematician and tabla player.